The Alienist
TV-Series: Houdini FLIP- and Ocean simulation for the water-reservoir in S01- EP10
Altered Carbon
TV-Series: rain-fx, ocean-fx and a multilayered disintegration-effect for Poe's death
Fantastic Beasts and Where to Find Them
Houdini Lighting and rendering using Mantra on the "Obscurus" sequence and supporting the FX-team by developing a "cobble-stone road"- and "rooftop snow"-HDA
Life
Houdini Carbon cloth-simulation of a rubber glove & FEM-simulation of creature wrinkles for the sequence where ‘Derry’ examines Calvin inside a isolated glove-box
Will
TV-Series: Houdini ocean-fx, a custom ocean- and foam-shader, and the simulation of a ship-wake using particles, ripple-solver and FLIP
Emerald City
TV-Series: Houdini particle-simulation / instancing and HDA-toolbuilding to create locust-swarms and a "locust-explosion" for the final battle of Season 1, Episode 10
Perwoll “Care&Repair”
TVC: Particle-based, debris system of very fine glass-splinters in Maya as secondary element to add more detail to the already existing cracking-mirror RBD-simulation
Zweifel “Cractive”
TVC: steam, Maya Fluid simulation
Deutz “Wheat Field”
"wheat-ear generator" HDA
McDonald’s “Kids”
TVC: Penguin, ZBrush-sculpting
Swisslos “Advent”
TVC: „fir-branch generator“ HDA
Water Drops
FLIP fluid-simulation and rendering
Drei Wetter Taft
TVC/Packshot: lable-prep/texturing, lighting, shading and rendering of all products for a remake of the famous 1989 Drei Wetter Taft TV-commercial
Mamba”Tropic Island”
TVC: Contributed as 3D-Generalist
Vernel “Almond Blossoms”
TVC/Packshot: nCloth simulation of soft almond blossoms gently gliding down to the ground
Syoss “Creatin” Japan
TVC/Packshot: object tracking, camera tracking, lable-prep/texturing, lighting, shading and rendering of the shampoo-bottle in the model's hand and the shelf behind her
DMG “Ecoline”
CAD-Visualisation of various turning- and milling-machines
